Wed, 10 July 2013
Brendan I. Koerner is a contributing editor at Wired and the author of The Skies Belong to Us. "It was this big review in The New York Times and I was terrified that it was going to say something awful about the book or about me as a writer. And my son said to me — he's 5, I should say — "If it's bad, you won't die." That's a good point, you know? So I always think of that when I pick up a new review and take that risk of someone slamming something that I've genuinely poured my heart and soul into." Thanks to TinyLetter and the Literary Reportage Department at NYU's Arthur L. Carter Journalism Institute for sponsoring this week's episode. Show notes:
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Fri, 28 June 2013
Evan Ratliff, a co-host of the Longform Podcast, discusses "The Oilman's Daughter," his new story in The Atavist.
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Wed, 26 June 2013
Steve Kandell is the longfom editor at BuzzFeed.
Thanks to TinyLetter for sponsoring this week's episode. Show notes:
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Wed, 19 June 2013
Nicholas Schmidle is a staff writer at The New Yorker.
Thanks to TinyLetter for sponsoring this week's episode. Show notes:
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Wed, 12 June 2013
Chris Heath, winner of the 2013 National Magazine Award for Reporting, is a staff writer at GQ. "I present myself as someone who is going to be rigorous and honest. And if you can engage in the way I'm asking you to engage, then I hope you will recognize yourself in a more truthful way in this story than you usually do. And maybe even, with a bit of luck, more than you ever have before. That's what I bring. That's my offer." Thanks to TinyLetter and the Literary Reportage Department at NYU's Arthur L. Carter Journalism Institute for sponsoring this week's episode. Show notes:
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Wed, 5 June 2013
Abrams covers the NBA for Grantland. "Players know that with the stories I do I'm not trying to burn anybody. I'm trying to tell a story for what it's worth and be honest to that person… That's one of my main goals, that you know why this person is [a certain] way when they step on the court. You know why Monta Ellis is going to keep shooting the ball. You know why Zach Randolph is such a gritty player. What these guys have gone through growing up, it materializes in their game." Show notes:
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Wed, 29 May 2013
Margalit Fox is a senior obituary writer for The New York Times and the author of The Riddle of the Labyrinth: The Quest to Crack an Ancient Code. "You do get emotionally involved with people, even though as a journalist you're not supposed to. But as a human being, how can you not? Particularly people who had difficult, tragic, poignant lives. But there are also people that you just wish you had known. And, of course, the painful irony is that you're only getting to know them by virtue of the fact that it's too late." Show notes:
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Wed, 22 May 2013
Mat Honan is a senior writer at Wired.
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Wed, 15 May 2013
Jonathan Shainin, senior editor at The Caravan.
"Working in an environment that's foreign, where you have to kind of think through a lot of things from the ground up...I find it to be really stimulating to have to interrogate the assumptions that you have as an editor about what's interesting and what's not interesting, what's a good story and what's a bad story, what's the story that's been done a million times already. When you get out of a place that is your place, you have to kind of think through some things in a fresh way. And that can be really productive."
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Wed, 8 May 2013
Vanessa Grigoriadis, contributing editor at New York and Vanity Fair. On the art of the celebrity interview: "People are smart. Particularly these people. They're sitting there thinking, "When is she going to drop that question?" They know what you're doing. So the way I think about it is: let's have an actual, genuine, human, interesting conversation. ... [Journalists] have all sorts of schemes of what they think works for them. My scheme is no scheme." Show notes:
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